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Rich reading. First I should say, regarding all of the anthologies I am teaching this semester, I have not been reading each of them in their entirety except for June Jordan s SOULSCRIPT That said, I am really moved so far by Hayan Charara s introduction to this collection As with Francisco Aragon and THE WIND SHIFTS, I appreciate Charara s transparency in discussing his process of selection of work and poets I especially appreciate his discussions of the label of Arab American identity being shifting, problematic, political, and that like it or not, these Arab American poets are political, if only because they are emerging in public as writers authors at a time in history in which Arab is being pushed to the forefront of our international consciousness in extreme and dangerous ways While Orientalist depictions of the Other are nothing new, this post 9 11, current wave of Islamaphobia and anti Arab hate is widespread and pervasive Hence, the sharp importance of a poetic project dealing with identity politics, and contesting identity politics The poets Charara has selected is multi generational and international diasporic, as well as aesthetically diverse From the spare lines of Sinan Antoon, to the performative quality and vernacular of Suheir Hammad, to the musicality of Matthew Shenoda, to the experimentalism of Etel Adnan, I think Charara tries his best to include poems which speak on a macro level as well as from a lyric I POV, and not privileging one aesthetic sensibility over another He also acknowledges where he perceives this project as potentially falling short, with regards to queer studies and feminist theory This here though, he sees as Arab American poetics being ripe for criticism, for expanding upon in subsequent projects Ultimately, what I appreciate most about this collection is that Charara states this about political poetry these are poems which embrace this reality, however gruesome, hopeless, joyous, and from these, give us poems which are life affirming. #Download Kindle ô Inclined to Speak ì At No Other Time In American History Has Our Imagination Been So Engrossed With The Arab Experience An Indispensable And Historic Volume, Inclined To Speak Gathers Together Poems, From The Most Important Contemporary Arab American Poets, That Shape And Alter Our Understanding Of This Experience These Poems Also Challenge Us To Reconsider What It Means To Be American Impressive In Its Scope, This Book Provides Readers With An Astonishing Array Of Poetic Sensibilities, Touching On Every Aspect Of The Human Condition Whether About Culture, Politics, Loss, Art, Or Language Itself, The Poems Here Engage These Themes With Originality, Dignity, And An Unyielding Need Not Only To Speak, But Also To Be Heard Here Are Thirty Nine Poets Offering Up Poems Included In The Anthology Are Naomi Shihab Nye, Samuel Hazo, D H Melhem, Lawrence Joseph, Khaled Mattawa, Mohja Khaf, Matthew Shenoda, Kazim Ali, Nuar Alsadir, Fady Joudah, And Lisa Suhair Majaj Charara Has Written A Lengthy Introduction About The State Of Arab American Poetry In The Country Today And Short Biographies Of The Poets And Provided An Extensive List Of Further Readings What kind of poetry to expect in Inclined to Speak Expect reading about people who felt impelled to speak out of an often equivocal inner necessity As you read, expect to feel the disoriented, anxious, ungrounded and panicky sentences running on end without junctions running thoughts and running people running minds People marginalized who found the often unheard voice on paper.Expect to get lost between foreign parents and foreign cultures.Expect to dislike the majority.Expect to find solace only in nature.Expect to remember your childhood.Expect sarcasm, wit and honesty.Poems here deal with Arab American personas struggle as exiles in the United States Their poetry voices their memories of childhood, nostalgia for a seemingly nonexistent place to call home, nature as a refuge, sarcasm and wit as a way of criticism, non belonging neither here nor there , non rootedness as ethnics and energetically out of touch with reality , untimely death, terrorism, uncertainty of life and many. This was my first real introduction to Arab American contemporary poetry, though I hesitate to give it that title The implications of such a title seem to limit the poems within to being about the experience of Arab Americans as Arab Americans, rather than as men, women, LGBTQ, Muslims, Christians, mothers, sons, etc as people While many of the poems in this anthology are about the intersection of culture and race, the stories, experiences, and ideas of these poets are not limited to their identity as Arab Americans and should not be viewed as such Rather, this is one of the ways for these historically underrepresented artists to continue to make names for themselves in the world of contemporary poetry Definitely worth your time.One of my favorite poems was My Grandmother Washes her Feet in the Bathroom Sink at Sears, by Mohja Kahf. My review appeared in the San Antonio Express News in their Sunday book section, Sunday, April 27, 2008 This is a remarkable collection of 160 poems by 39 Arab American poets There is not a weak poem in the collection Excerpts from this review These Arab American poets are neither tourists nor terrorists Rather, they are esteemed professors, lawyers, translators, editors people doing business and community work parents raising families and corresponding with relatives from their countries of origin They are not having an identity crisis or mapping an Arab Disaspora or replaying the Arabian nights They are peaceful citizens, thoughtful and humane, just like most of us.Yes, there are political poems here from fresh perspectives, but none are screeds that promote propaganda In fact, they argue against lies convincingly, often with satirical wit Where there is anger there is also compassion where there is social criticism, there is never didacticism They remind us that stereotypes and prejudice, war and genocide are overcome only by bridges of dialogue and not by walls of separation Yet like all poets, they write also of nature and love, of languages and ideas, of spirituality and attitude.Editor Hayan Charara has made shrewd choices, and also contributes a masterful language excursion in his long poem Usage His thoughtful introduction, free of academic jargon, discusses the poetic, political and social dimensions, as well as the thematic and personal issues that Arab American poets confront in their lives and work.The University of Arkansas Prress deserves kudos for publishing this ground breaking anthology at a time when deeper understanding of our diversity is most crucial This marvelous gathering of sensibilities will challenge and excite open minded readers with significant new poetry Please read this anthology, then reread it It is that important Copyright 2008 by Robert Bonazzi Another book I want to read, but like Fady s book they ran out of copies Zut Alors Hayan told me I could find it for cheap on How nice There were some really amazing poems in this book I loved the variety of topics and styles. Beautifully pungent, traumatic, necessary If you believe yourself to be a poet, you must make yourself a place amongst these authors, as they are defining poetry for a great deal of the world and a great many people s experience I have been reading this book for weeks now, and not because I couldn t finish it sooner or it was slow or for any of these common reasons It was actually because it was impossible, physically impossible, to ingest than a handful of poems at a time The ways in which these writers communicated survival, rebirth, fear, devotion, fury and futility was something that resonated so severely that it was physical for me I will put an excerpt below but only something very light because I feel that everyone who reads this should have their own physical, intimate experience with it.So often it is easy to live amidst worlds of fiction to write it, to love it, to honestly need it to survive That is exactly why we love books However, that is why we should listen to this one These poets reach out and implore that those who have the means to should not simply live lives of convenience Whether it is just turning off the news to avoid the reality of global suffering, or even a refusal to engage in basic humanitarian issues Comfort is illusionary complacency can be dangerous Certainly none of us need an anthology of poetry to remind us of that, but an entire, quite dense, anthology sweeping Arab American and Arab American immigrant experience can t hurt I think the reason this book is so crucial is that we often read a work by, say for example, a Lebanese writer or a writer of any nationality other than our own I am using Lebanese here because this is an anthology of Arab American writers and many are Lebanese After doing so, feel as though we understand the entire situation in that region We even often emotionally connect to it perhaps without a true understanding of the disparate and complex realities that make up many people, who often get collapsed into the same place However, I believe a truer understanding comes within the pages of this book, an understanding of many people who have fought not to be homogenized In this dense volume you have to face the wound of this entire geography, it s rawness and both the passion and the horror that nearly all nations of the world have participated in, either through action or passivity I will teach my students this in the fall as I don t believe these are words whose echoes should be lost Actually, this anthology includes an artist and acquaintance of mine, Suheir Hammad, whose oral poetry I use in nearly all of my classes and who s poetry and other work I highly recommend We have a responsibility to these voices even if we are one of them to carry their realities to those who may be shut off from this reality I hope that many of you will spend time letting this text talk to you, and listen while it talks to itself It will not only be worth it, it will redesign you.Again, I would like to put a few light lines that don t go to heavily into many of the issues the texts attacks Those I hope you will find out for yourselffrom Relics by Matthew Shenoda We are a memory shaped by vertebrae Clappers of rhythm disassembled by the skeletons of timeWe are the dissipating cartilage of our great grandchildren s memory holding to their sockets by a sinew of hopeMaking sense of these bones we reassemble history Making ancestral tapestries in the shape of retaining wallsWe are a memory shaped by vertebrae Clappers of rhythm disassembled by the skeletons of timeYou are the skin behind the clouds While the quote below was not from one of the poems itself, it was a preemptive quote to Roots by Sharif S Elmusa, and I found it profoundly appropriate to the collection Home is where people can read your name correctly on your tombstone Attila Jozsef A very good collection of Arab American poems I think the two important poets I knew from this anthology were Mohja Kahf and Etel Adnan I m planning to read most of their work especially novels and short stories People who truly LOVE poetry will enjoy reading this I didn t enjoy it that much